ARCHIVE | Black Ops Guitar No. 4: Bizarpeggios 1

Black Ops Guitar was a column that appeared on starting in 2009. It disappeared in a mysterious site crash. Or maybe the feds got to it.

Black Ops No. 4

Black Ops No. 4

What about it?

Only four little measures, you may be thinking. Right—four measures of eyebrow-raising, finger-contorting mayhem! Alright … that might be overstating it a bit. Bizarpeggios 1 is a logical extension of the previous Black Ops Guitar entry, Arpeggio Exchange 23. At first glance, it may appear that there isn’t anything logical about it—but bear with me. The piece at hand continues with the concept of fluid sweeping across six strings and, as such, the same performance tips will apply: 1. Pick with a smooth, continuous motion while maintaining a consistent pick angle for the ascending and descending sequences. 2. When fretting the notes, roll through the chord shapes with minimal movement, keeping your wrist dropped and thumb toward the middle of the neck.

Regarding those shapes: The succession of names may look more like chemical nomenclature than a chord progression. Without going too far into the vortex of music theory, as chords have more notes heaped upon them, their names can become increasingly ambiguous, sometimes to the point of confusion or uselessness. A three note chord has fewer naming permutations than one with five as with those here; these chords are simply given their least tedious names regardless of original conception (more on that later). One other point is that three of the four chords are inversions, which is to say some other note than the root or namesake is the lowest of the set; just because the chord implied in measure 1 starts with an A, does not necessarily mean that it’s most logically characterized by an A root.

Why bother?

As ever with Black Ops, the point is to teach your hand new gestures and your ear new possibilities. The fingerings here are rather awkward and the sonorities unusual. But practice the four measures for the next 15 minutes and, like learning a C chord for the first time (uh, you do know a C, don’t you?), the moves will become easier. More importantly, work on Bizarpeggios 1 for the next week and the shapes and sounds will become natural and internalized. To lift the shroud, this pocket etude is based around a D minor tonality; play the arpeggios over a D pedal tone and hear how they make musical sense. Then, once digested, apply them in everyday life and become approximately 2% more snazzy than the run-of-the-mill guitarist next door.


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